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12 Essential English Novels Everyone Should Read

12 Essential English Novels Everyone Should Read

Original Article: https://www.oxford-royale.co.uk/articles/12-literary-works-read.html

 

1. Wuthering Heights, by Emily Brontë

This tumultuous tale of life in a bleak farmhouse on the Yorkshire moors is a popular set text for GCSE and A-level English study, but away from the demands of the classroom it’s easier to enjoy its drama and intensity. Populated largely by characters whose inability to control their own emotions leads to violence and revenge, it’s a tale that spans two generations and two families. At the heart of the story is the mysterious ‘gypsy’, Heathcliff, adopted as a ragamuffin child into the Earnshaw family to live at Wuthering Heights. As he grows up, he becomes close to his adopted sister Cathy, falling in love with her only to be met with crushing disappointment when she marries Edgar Linton, a kind and gentle man from neighbouring Thrushcross Grange. Heathcliff disappears and returns a rich, educated man bent on revenge.

 

2. Middlemarch, by George Eliot

Middlemarch, subtitled “A Study of Provincial Life”, is the story of the inhabitants of a Midlands village in the 1830s. Masterfully weaving together several plotlines, the novel charts the fortunes of an interesting cast of characters, exploring their motivations, delusions and preoccupations. The remarkable thing about Middlemarch is the detail and realism with which George Eliot describes emotions. Feelings you thought were unique to you are described here in a way that could be describing your own thoughts. It’s one of the reasons why Middlemarch has been described the likes of Martin Amis and Julian Barnes as one of the greatest English novels ever written; read it and you’ll soon find yourself agreeing with them.

 

3. Nineteen Eighty-Four, by George Orwell

Nineteen Eighty-Four makes depressing but essential reading. Published in 1949, it’s the author’s vision of a dystopian future dominated by totalitarian state surveillance, mind control and perpetual war. At the centre of the novel is Winston, whose job is to rewrite old news stories so that they toe the party line, whom we follow in his quest for rebellion against the government he works for. Its memorable opening line sets the unsettling tone for the rest of this uncomfortable novel: “It was a bright cold day in April, and the clocks were striking thirteen.” You probably already use phrases from this influential book without necessarily knowing it; “Big Brother” and “Room 101” are both references taken from this novel. As you read Nineteen Eighty-Four, ask yourself: how close do you think Orwell’s vision is to how society is today?

 

 

4. The Lord of the Rings, by J.R.R. Tolkien

If you haven’t read the book, you’ll almost certainly have seen Peter Jackson’s epic three-part movie adaptation of it. Incredible though the films are, there’s inevitably a lot missing from them and it’s well worth persevering with the book’s slowish start to follow the journey of Frodo and friends more closely. If you’re not familiar with the story, The Lord of the Rings tells the story of a hobbit, Frodo, who must undertake a dangerous mission to the dark land of Mordor to destroy a powerful ring – a weapon that absolutely corrupts those who come under its power. As you’ll soon find out, that’s a highly simplified plot summary!

Reading the book, you’ll be hard-pressed not to gain a deep admiration for the detail and thought Tolkien put into creating his imaginary world; languages, detailed family trees, maps, rich histories and backstories – all add to the sense of realism one feels when absorbed in Tolkien’s work. You’ll also spot some of Tolkien’s influences, such as Nordic mythology and the Anglo-Saxon poem Beowulf (read this poem alongside Tolkien and you’ll notice where his inspiration for the Golden Hall came from). If you’re new to Tolkien, you might like to read The Hobbit beforehand; it’s a lighter read than The Lord of the Rings and it sets the backdrop for the events of the tome that follows it.

 

5. Diary of a Nobody, by George and Weedon Grossmith

If you’ve ever in need of a little gentle comic relief, you can’t do much better than the delightful Diary of a Nobody. It’s the (made-up) diary of a self-important Victorian lower-middle class gentleman, Charles Pooter, in which he details the day-to-day household quandaries and social embarrassments we can all relate to. It was serialised in Punch magazine in Victorian times, and it’s a charming insight into what the Victorians found funny – but in many places, it’s still laugh-out-loud funny to the modern reader.

 

 

6. His Dark Materials, trilogy by Philip Pullman

Philip Pullman’s His Dark Materials is comprised of three novels: Northern Lights (known in the US as The Golden Compass), The Subtle Knife and The Amber Spyglass. The story is set in a fantasy world that contains numerous parallel universes, some of which bear some resemblance to real-life Oxford. Lyra, the protagonist, inhabits the fictional Jordan College, Oxford, in a world in which human beings are accompanied by animal embodiments of their souls, called daemons. The initial similarities and intriguing differences between Lyra’s world and real life will draw you in right from the start, and you’re sure to be gripped as you accompany Lyra on a journey that sees her coming of age and discovering that space and time are not what she expected. If you want to do some background reading, try Milton’s epic poem Paradise Lost, of which Pullman’s trilogy is a partial reinvention.

 

 

7. Jane Eyre, by Charlotte Brontë

This novel by Emily Brontë’s elder sister Charlotte has inspired numerous film adaptations, and tells the tale of a young governess, Jane Eyre, who goes to live and work in a foreboding country house with an eccentric master, Edward Rochester, who hides a dark secret in a remote wing of his sprawling home. The story focuses on Jane’s transition to adulthood, told from her perspective in the first person. Throughout the novel we observe her sense of morality, which is tested by the situations she finds herself in – first during her abusive childhood and then in her response to the passionate feelings she experiences towards Mr. Rochester.

 

 

8. Great Expectations, by Charles Dickens

Here is another coming-of-age story, and arguably one of the greatest ever told. If you think Charles Dickens is boring, or you’ve been put off him by studying him at school, please give him another chance. Like all his novels, Great Expectations is full of humour and populated by an entertaining cast of brilliantly-named characters. It tells the tale of Pip, an orphan from a poor background who learns a valuable lesson in life after his acquisition of personal wealth proves an unsatisfying experience that changes him for the worse, driving him away from the only people who’ve ever loved him.

Along the way he meets the enigmatic Miss Havisham, an old lady jilted at the altar decades ago, who has frozen everything in her house at the moment at which her life was so tragically altered. The image of her wedding cake, still on the table but covered in cobwebs and mould, is one of many enduring and vivid scenes in this brilliant novel, which explores a number of moral themes including what it means to be a gentleman.

 

 

9. Rebecca, by Daphne du Maurier

Even if you’re not normally into the Gothic, Rebecca is sure to have you gripped. Its nameless narrator tells the chilling tale of her experiences at Manderley, the house at the centre of the story, after marrying Maxim de Winter, its owner. Manderley proves to be haunted by memories of Maxim’s previous wife, Rebecca, who drowned the previous year; and the creepy Mrs. Danvers, the housekeeper, is determined to show Maxim’s new wife that she is no replacement for her beloved Rebecca. We follow the second Mrs. de Winter as she struggles to fit in at Manderley and uncovers the truth behind who Rebecca really was and what really happened to her. Its opening lines will haunt you as they’ve haunted the millions of readers who’ve enjoyed Rebecca since its publication in 1938: “Last night I dreamt I went to Manderley again…”.

 

10. Any Jane Austen novel

It was impossible to choose just one Jane Austen novel for this list, as they’re all absolutely brilliant and packed full of interesting and sometimes amusing characters – and heroines you can’t fail to love. As well as being entertaining stories in themselves, Jane Austen’s novels are recognised for their historical importance thanks to their social commentary on the Georgian aristocracy. Austen herself was on the outskirts of the aristocracy, well-placed to write about the people and situations she undoubtedly met with in real life. Pride and Prejudice, Emma, Sense and Sensibility, Mansfield Park, Persuasion, Northanger Abbey; take your pick, but if forced to choose, my personal favourite is Emma, the tale of a well-meaning but headstrong young woman who makes it her mission to act as matchmaker to local villagers – with disastrous consequences both to them and to her own chances of romance.

 

11. Far from the Madding Crowd, by Thomas Hardy

Thomas Hardy’s evocative novel Far from the Madding Crowd is set in ‘Wessex’, an early region of south-west England that no longer exists but is used to conjure up a sense of a place neither real nor made-up – an agricultural England that, during Hardy’s lifetime, was under threat from industrialisation. Rural life is a central theme in a story that follows the shepherd Gabriel Oak and his love for Bathsheba Everdene, a beautiful and independent newcomer to the local farm she’s just inherited.

Unfortunately, Oak isn’t the only one with his eye on the wilful Bathsheba, and two rivals appear on the scene in the shape of another farmer, Mr. Boldwood, and a dashing but rakish soldier, Sergeant Troy. Love and its sometimes dangerous and destructive power are explored among a number of other themes, including luck and tragedy.

 

12. Brideshead Revisited, by Evelyn Waugh

Evelyn Waugh’s portrayal of the trials and tribulations of an aristocratic family and their friend, the narrator Charles Ryder, has been an inspiration to plenty of Oxford applicants, who hope to recreate the evocative Oxfordian scenes described in the early parts of the book – complete with Sebastian’s famous teddy bear, Aloysius. But there’s a lot more to Brideshead Revisited than idyllic Oxford life and decadent scenes involving Champagne and quail eggs. At its heart is the tale of a young man’s struggle with Roman Catholicism and with his own family, but there are many other themes running through it, including the decline of the English stately home after the two World Wars and a longing for the bygone era of the English nobility.

Brideshead Revisited was adapted into a landmark television series with Jeremy Irons in the role of Charles Ryder; once you’ve read the book this makes wonderful viewing, sticking closely to the book. With Irons’ velvet tones vividly bringing to life Waugh’s words, this is one television adaptation that, in my opinion, will actually help you gain a deeper appreciation of the book.

 

These remarkable novels have all left their mark on popular culture and embedded themselves into the English psyche. Once you’ve read them all, you’ll have more of an idea of where your own literary tastes lie and you can make up your own list by taking from this one and adding your own. What would you add to this list? Let us know in the comments section below!

Posted by lle, 0 comments
The 100 Best Novels Written In English

The 100 Best Novels Written In English

Original Article: https://www.theguardian.com/books/2015/aug/17/the-100-best-novels-written-in-english-the-full-list
By Robert McCrum

After two years of careful consideration, Robert McCrum has reached a verdict on his selection of the 100 greatest novels written in English. Take a look at his list:

 

1. The Pilgrim’s Progress by John Bunyan (1678)

A story of a man in search of truth told with the simple clarity and beauty of Bunyan’s prose make this the ultimate English classic.

2. Robinson Crusoe by Daniel Defoe (1719)

By the end of the 19th century, no book in English literary history had enjoyed more editions, spin-offs and translations. Crusoe’s world-famous novel is a complex literary confection, and it’s irresistible.

3. Gulliver’s Travels by Jonathan Swift (1726)

A satirical masterpiece that’s never been out of print, Jonathan Swift’s Gulliver’s Travels comes third in our list of the best novels written in English

4. Clarissa by Samuel Richardson (1748)

Clarissa is a tragic heroine, pressured by her unscrupulous nouveau-riche family to marry a wealthy man she detests, in the book that Samuel Johnson described as “the first book in the world for the knowledge it displays of the human heart.”

5. Tom Jones by Henry Fielding (1749)

Tom Jones is a classic English novel that captures the spirit of its age and whose famous characters have come to represent Augustan society in all its loquacious, turbulent, comic variety.

6. The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne (1759)

Laurence Sterne’s vivid novel caused delight and consternation when it first appeared and has lost little of its original bite.

7. Emma by Jane Austen (1816)

Jane Austen’s Emma is her masterpiece, mixing the sparkle of her early books with a deep sensibility.

8. Frankenstein by Mary Shelley (1818)

Mary Shelley’s first novel has been hailed as a masterpiece of horror and the macabre.

9. Nightmare Abbey by Thomas Love Peacock (1818)

The great pleasure of Nightmare Abbey, which was inspired by Thomas Love Peacock’s friendship with Shelley, lies in the delight the author takes in poking fun at the romantic movement.

10. The Narrative of Arthur Gordon Pym of Nantucket by Edgar Allan Poe (1838)

Edgar Allan Poe’s only novel – a classic adventure story with supernatural elements – has fascinated and influenced generations of writers.

11. Sybil by Benjamin Disraeli (1845)

The future prime minister displayed flashes of brilliance that equalled the greatest Victorian novelists.

12. Jane Eyre by Charlotte Brontë (1847)

Charlotte Brontë’s erotic, gothic masterpiece became the sensation of Victorian England. Its great breakthrough was its intimate dialogue with the reader.

13. Wuthering Heights by Emily Brontë (1847)

Emily Brontë’s windswept masterpiece is notable not just for its wild beauty but for its daring reinvention of the novel form itself.

14. Vanity Fair by William Thackeray (1848)

William Thackeray’s masterpiece, set in Regency England, is a bravura performance by a writer at the top of his game.

15. David Copperfield by Charles Dickens (1850)

David Copperfield marked the point at which Dickens became the great entertainer and also laid the foundations for his later, darker masterpieces.

16. The Scarlet Letter by Nathaniel Hawthorne (1850)

Nathaniel Hawthorne’s astounding book is full of intense symbolism and as haunting as anything by Edgar Allan Poe.

17. Moby-Dick by Herman Melville (1851)

Wise, funny and gripping, Melville’s epic work continues to cast a long shadow over American literature.

18. Alice’s Adventures in Wonderland by Lewis Carroll (1865)

Lewis Carroll’s brilliant nonsense tale is one of the most influential and best loved in the English canon.

19. The Moonstone by Wilkie Collins (1868)

Wilkie Collins’s masterpiece, hailed by many as the greatest English detective novel, is a brilliant marriage of the sensational and the realistic.

20. Little Women by Louisa May Alcott (1868-9)

Louisa May Alcott’s highly original tale aimed at a young female market has iconic status in America and never been out of print.

21. Middlemarch by George Eliot (1871-2)

This cathedral of words stands today as perhaps the greatest of the great Victorian fictions.

22. The Way We Live Now by Anthony Trollope (1875)

Inspired by the author’s fury at the corrupt state of England, and dismissed by critics at the time, The Way We Live Now is recognised as Trollope’s masterpiece.

23. The Adventures of Huckleberry Finn by Mark Twain (1884/5)

Mark Twain’s tale of a rebel boy and a runaway slave seeking liberation upon the waters of the Mississippi remains a defining classic of American literature.

24. Kidnapped by Robert Louis Stevenson (1886)

A thrilling adventure story, gripping history and fascinating study of the Scottish character, Kidnapped has lost none of its power.

25. Three Men in a Boat by Jerome K Jerome (1889)

Jerome K Jerome’s accidental classic about messing about on the Thames remains a comic gem.

26. The Sign of Four by Arthur Conan Doyle (1890)

Sherlock Holmes’s second outing sees Conan Doyle’s brilliant sleuth – and his bluff sidekick Watson – come into their own.

27. The Picture of Dorian Gray by Oscar Wilde (1891)

Wilde’s brilliantly allusive moral tale of youth, beauty and corruption was greeted with howls of protest on publication.

28. New Grub Street by George Gissing (1891)

George Gissing’s portrayal of the hard facts of a literary life remains as relevant today as it was in the late 19th century.

29. Jude the Obscure by Thomas Hardy (1895)

Hardy exposed his deepest feelings in this bleak, angry novel and, stung by the hostile response, he never wrote another.

30. The Red Badge of Courage by Stephen Crane (1895)

Stephen Crane’s account of a young man’s passage to manhood through soldiery is a blueprint for the great American war novel.

31. Dracula by Bram Stoker (1897)

Bram Stoker’s classic vampire story was very much of its time but still resonates more than a century later.

32. Heart of Darkness by Joseph Conrad (1899)

Joseph Conrad’s masterpiece about a life-changing journey in search of Mr Kurtz has the simplicity of great myth.

33. Sister Carrie by Theodore Dreiser (1900)

Theodore Dreiser was no stylist, but there’s a terrific momentum to his unflinching novel about a country girl’s American dream.

34. Kim by Rudyard Kipling (1901)

In Kipling’s classic boy’s own spy story, an orphan in British India must make a choice between east and west.

35. The Call of the Wild by Jack London (1903)

Jack London’s vivid adventures of a pet dog that goes back to nature reveal an extraordinary style and consummate storytelling.

36. The Golden Bowl by Henry James (1904)

American literature contains nothing else quite like Henry James’s amazing, labyrinthine and claustrophobic novel.

37. Hadrian the Seventh by Frederick Rolfe (1904)

This entertaining if contrived story of a hack writer and priest who becomes pope sheds vivid light on its eccentric author – described by DH Lawrence as a “man-demon”.

38. The Wind in the Willows by Kenneth Grahame (1908)

The evergreen tale from the riverbank and a powerful contribution to the mythology of Edwardian England.

39. The History of Mr Polly by HG Wells (1910)

The choice is great, but Wells’s ironic portrait of a man very like himself is the novel that stands out.

40. Zuleika Dobson by Max Beerbohm (1911)

The passage of time has conferred a dark power upon Beerbohm’s ostensibly light and witty Edwardian satire.

41. The Good Soldier by Ford Madox Ford (1915)

Ford’s masterpiece is a searing study of moral dissolution behind the facade of an English gentleman – and its stylistic influence lingers to this day.

42. The Thirty-Nine Steps by John Buchan (1915)

John Buchan’s espionage thriller, with its sparse, contemporary prose, is hard to put down.

43. The Rainbow by DH Lawrence (1915)

The Rainbow is perhaps DH Lawrence’s finest work, showing him for the radical, protean, thoroughly modern writer he was.

44. Of Human Bondage by W Somerset Maugham (1915)

Somerset Maugham’s semi-autobiographical novel shows the author’s savage honesty and gift for storytelling at their best.

45. The Age of Innocence by Edith Wharton (1920)

The story of a blighted New York marriage stands as a fierce indictment of a society estranged from culture.

46. Ulysses by James Joyce (1922)

This portrait of a day in the lives of three Dubliners remains a towering work, in its word play surpassing even Shakespeare.

47. Babbitt by Sinclair Lewis (1922)

What it lacks in structure and guile, this enthralling take on 20s America makes up for in vivid satire and characterisation.

48. A Passage to India by EM Forster (1924)

EM Forster’s most successful work is eerily prescient on the subject of empire.

49. Gentlemen Prefer Blondes by Anita Loos (1925)

A guilty pleasure it may be, but it is impossible to overlook the enduring influence of a tale that helped to define the jazz age.

50. Mrs Dalloway by Virginia Woolf (1925)

Woolf’s great novel makes a day of party preparations the canvas for themes of lost love, life choices and mental illness.

51. The Great Gatsby by F Scott Fitzgerald (1925)

Fitzgerald’s jazz age masterpiece has become a tantalising metaphor for the eternal mystery of art.

52. Lolly Willowes by Sylvia Townsend Warner (1926)

A young woman escapes convention by becoming a witch in this original satire about England after the first world war.

53. The Sun Also Rises by Ernest Hemingway (1926)

Hemingway’s first and best novel makes an escape to 1920s Spain to explore courage, cowardice and manly authenticity.

54. The Maltese Falcon by Dashiell Hammett (1929)

Dashiell Hammett’s crime thriller and its hard-boiled hero Sam Spade influenced everyone from Chandler to Le Carré.

55. As I Lay Dying by William Faulkner (1930)

The influence of William Faulkner’s immersive tale of raw Mississippi rural life can be felt to this day.

56. Brave New World by Aldous Huxley (1932)

Aldous Huxley’s vision of a future human race controlled by global capitalism is every bit as prescient as Orwell’s more famous dystopia.

57. Cold Comfort Farm by Stella Gibbons (1932)

The book for which Gibbons is best remembered was a satire of late-Victorian pastoral fiction but went on to influence many subsequent generations.

58. Nineteen Nineteen by John Dos Passos (1932)

The middle volume of John Dos Passos’s USA trilogy is revolutionary in its intent, techniques and lasting impact.

59. Tropic of Cancer by Henry Miller (1934)

The US novelist’s debut revelled in a Paris underworld of seedy sex and changed the course of the novel – though not without a fight with the censors.

60. Scoop by Evelyn Waugh (1938)

Evelyn Waugh’s Fleet Street satire remains sharp, pertinent and memorable.

61. Murphy by Samuel Beckett (1938)

Samuel Beckett’s first published novel is an absurdist masterpiece, a showcase for his uniquely comic voice.

62. The Big Sleep by Raymond Chandler (1939)

Raymond Chandler’s hardboiled debut brings to life the seedy LA underworld – and Philip Marlowe, the archetypal fictional detective.

63. Party Going by Henry Green (1939)

Set on the eve of war, this neglected modernist masterpiece centres on a group of bright young revellers delayed by fog.

64. At Swim-Two-Birds by Flann O’Brien (1939)

Labyrinthine and multilayered, Flann O’Brien’s humorous debut is both a reflection on, and an exemplar of, the Irish novel.

65. The Grapes of Wrath by John Steinbeck (1939)

One of the greatest of great American novels, this study of a family torn apart by poverty and desperation in the Great Depression shocked US society.

66. Joy in the Morning by PG Wodehouse (1946)

PG Wodehouse’s elegiac Jeeves novel, written during his disastrous years in wartime Germany, remains his masterpiece.

67. All the King’s Men by Robert Penn Warren (1946)

A compelling story of personal and political corruption, set in the 1930s in the American south.

68. Under the Volcano by Malcolm Lowry (1947)

Malcolm Lowry’s masterpiece about the last hours of an alcoholic ex-diplomat in Mexico is set to the drumbeat of coming conflict.

69. The Heat of the Day by Elizabeth Bowen (1948)

Elizabeth Bowen’s 1948 novel perfectly captures the atmosphere of London during the blitz while providing brilliant insights into the human heart.

70. Nineteen Eighty-Four by George Orwell (1949)

George Orwell’s dystopian classic cost its author dear but is arguably the best-known novel in English of the 20th century.

71. The End of the Affair by Graham Greene (1951)

Graham Greene’s moving tale of adultery and its aftermath ties together several vital strands in his work.

72. The Catcher in the Rye by JD Salinger (1951)

JD Salinger’s study of teenage rebellion remains one of the most controversial and best-loved American novels of the 20th century.

73. The Adventures of Augie March by Saul Bellow (1953)

In the long-running hunt to identify the great American novel, Saul Bellow’s picaresque third book frequently hits the mark.

74. Lord of the Flies by William Golding (1954)

Dismissed at first as “rubbish & dull”, Golding’s brilliantly observed dystopian desert island tale has since become a classic.

75. Lolita by Vladimir Nabokov (1955)

Nabokov’s tragicomic tour de force crosses the boundaries of good taste with glee.

76. On the Road by Jack Kerouac (1957)

The creative history of Kerouac’s beat-generation classic, fuelled by pea soup and benzedrine, has become as famous as the novel itself.

77. Voss by Patrick White (1957)

A love story set against the disappearance of an explorer in the outback, Voss paved the way for a generation of Australian writers to shrug off the colonial past.

78. To Kill a Mockingbird by Harper Lee (1960)

Her second novel finally arrived this summer, but Harper Lee’s first did enough alone to secure her lasting fame, and remains a truly popular classic.

79. The Prime of Miss Jean Brodie by Muriel Spark (1960)

Short and bittersweet, Muriel Spark’s tale of the downfall of a Scottish schoolmistress is a masterpiece of narrative fiction.

80. Catch-22 by Joseph Heller (1961)

This acerbic anti-war novel was slow to fire the public imagination, but is rightly regarded as a groundbreaking critique of military madness.

81. The Golden Notebook by Doris Lessing (1962)

Hailed as one of the key texts of the women’s movement of the 1960s, this study of a divorced single mother’s search for personal and political identity remains a defiant, ambitious tour de force.

82. A Clockwork Orange by Anthony Burgess (1962)

Anthony Burgess’s dystopian classic still continues to startle and provoke, refusing to be outshone by Stanley Kubrick’s brilliant film adaptation.

83. A Single Man by Christopher Isherwood (1964)

Christopher Isherwood’s story of a gay Englishman struggling with bereavement in LA is a work of compressed brilliance.

84. In Cold Blood by Truman Capote (1966)

Truman Capote’s non-fiction novel, a true story of bloody murder in rural Kansas, opens a window on the dark underbelly of postwar America.

85. The Bell Jar by Sylvia Plath (1966)

Sylvia Plath’s painfully graphic roman à clef, in which a woman struggles with her identity in the face of social pressure, is a key text of Anglo-American feminism.

86. Portnoy’s Complaint by Philip Roth (1969)

This wickedly funny novel about a young Jewish American’s obsession with masturbation caused outrage on publication, but remains his most dazzling work.

87. Mrs Palfrey at the Claremont by Elizabeth Taylor (1971)

Elizabeth Taylor’s exquisitely drawn character study of eccentricity in old age is a sharp and witty portrait of genteel postwar English life facing the changes taking shape in the 60s.

88. Rabbit Redux by John Updike (1971)

Harry “Rabbit” Angstrom, Updike’s lovably mediocre alter ego, is one of America’s great literary protoganists, up there with Huck Finn and Jay Gatsby.

89. Song of Solomon by Toni Morrison (1977)

The novel with which the Nobel prize-winning author established her name is a kaleidoscopic evocation of the African-American experience in the 20th century.

90. A Bend in the River by VS Naipaul (1979)

VS Naipaul’s hellish vision of an African nation’s path to independence saw him accused of racism, but remains his masterpiece.

91. Midnight’s Children by Salman Rushdie (1981)

The personal and the historical merge in Salman Rushdie’s dazzling, game-changing Indian English novel of a young man born at the very moment of Indian independence.

92. Housekeeping by Marilynne Robinson (1981)

Marilynne Robinson’s tale of orphaned sisters and their oddball aunt in a remote Idaho town is admired by everyone from Barack Obama to Bret Easton Ellis.

93. Money: A Suicide Note by Martin Amis (1984)

Martin Amis’s era-defining ode to excess unleashed one of literature’s greatest modern monsters in self-destructive antihero John Self.

94. An Artist of the Floating World by Kazuo Ishiguro (1986)

Kazuo Ishiguro’s novel about a retired artist in postwar Japan, reflecting on his career during the country’s dark years, is a tour de force of unreliable narration.

95. The Beginning of Spring by Penelope Fitzgerald (1988)

Fitzgerald’s story, set in Russia just before the Bolshevik revolution, is her masterpiece: a brilliant miniature whose peculiar magic almost defies analysis.

96. Breathing Lessons by Anne Tyler (1988)

Anne Tyler’s portrayal of a middle-aged, mid-American marriage displays her narrative clarity, comic timing and ear for American speech to perfection.

97. Amongst Women by John McGahern (1990)

This modern Irish masterpiece is both a study of the faultlines of Irish patriarchy and an elegy for a lost world.

98. Underworld by Don DeLillo (1997)

A writer of “frightening perception”, Don DeLillo guides the reader in an epic journey through America’s history and popular culture.

99. Disgrace by JM Coetzee (1999)

In his Booker-winning masterpiece, Coetzee’s intensely human vision infuses a fictional world that both invites and confounds political interpretation.

100. True History of the Kelly Gang by Peter Carey (2000)

Peter Carey rounds off our list of literary milestones with a Booker prize-winning tour-de-force examining the life and times of Australia’s infamous antihero, Ned Kelly.

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